Arri Amira

Pairing streamlined, dependable multicamera setups and rich, natural Super35 imaging, the ARRI AMIRA Live Camera delivers an efficient, cinematic workflow for your live broadcast needs. Using the same ALEV III Super35 sensor as the rest of the AMIRA line, the AMIRA Live ticks off cine-style boxes like shallow depth of field, high dynamic range, the ARRI Look Library, and 3D LUT support. At the same time, its cable-free configuration with the separately available 1800 fiber back aligns the AMIRA with more typical broadcast-style cameras, eliminating the dreaded accidental disconnect with potential port damage and speeding your build time.

Created specifically for multicamera use, the AMIRA includes the Advanced, UHD 4K, and ARRI Look Library License Keys to help match your AMIRA or ALEXA footage. Shared AMIRA functions include a 14+-stop dynamic range, an EI range of 160 to 3200, motorized ND filters, CFast 2.0 recording, and a pre-record buffer. This camera's versatile recording options include up to 2.8K ARRIRAW, UHD 4K60 ProRes, and from 1-200 fps in 2K and HD ProRes.

With SUP 6.1, ARRI introduces enhanced multicamera functions like an always-welcomed faster boot-up time, improved sharpness and noise reduction, user-button intercom talkback for easier shoulder-mounted communication, and a green tally viewfinder function. And in a boon for shooters used to cine-style capture, SUP 6.1 also eliminates the need for a separate box for direct RCP iris control of cine-style lenses when using RF FIZ motors.

Bespoke Multicamera Design

All cables between the AMIRA Live camera and an 1820 fiber back have been internalized, resulting in a lower chance of accidental disconnection or port damage, speedier build times, and a neater look more in keeping with traditional broadcast cameras.

Same S35 Sensor as ALEXA for Cinematic Look

The AMIRA Live uses the same ALEV III Super35 CMOS sensor as the ALEXA line, providing outstanding image quality, advanced color science, natural skin tones, and over 14 stops of dynamic range.

Up to 2.8K ARRIRAW/UHD 4K60 ProRes Capture

Versatile recording options include 2.8K ARRIRAW, UHD 4K60 ProRes, and 1-200 fps capture in 2K and HD ProRes for slow-motion, intervalometer, and stop-motion effects.

Simultaneous Recording and Streaming

Record in-camera to CFast 2.0 cards while simultaneously transmitting live, cinema-quality HD, or UHD images to a broadcast facility, viewing monitor, or social media platform.

Interchangeable Lens Mounts

Separately available lens mounts include PL, LPL, EF, B4, and Leitz M options, providing compatibility with a wide array of both cine-style and broadcast lenses.